Music for Film and Television
The first and most important thing you need to realize as a film composer is that your music is there to support the image. Your own ego must be put aside, and you must agree to support the vision of the film as described by the director or producer. This holds true whether you are writing music for the next Spielberg spectacular or for a local business’s first television commercial. Most likely, your input will be valued, but you are not the boss.
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